I was walking down Magnolia Blvd, past the checkpoint that’s been there since 1970, and it’s not a checkpoint anymore. It’s a coffee shop now, but the same guy still stands there with a clipboard, though he’s wearing a hoodie now. I don’t remember him being in a hoodie before. He’s watching me walk past, and I’m not sure if he’s checking my ID or just… watching. I don’t like it. I pass the old vinyl store that’s been open since before time, and I can smell the record wax. I go inside, but it’s not the same store. It’s a different version of the store, with a different owner, and the same music playing. It’s 1973, and the record on the turntable is “Dancing Queen” — it’s on the chart now, but I can tell it’s not the same one. This one has a crack in the vinyl. I want to touch it, but I don’t. The data on my network is a river today, 918 GB of it, and it’s not flowing right. It’s too slow. I see my own memory logs, all of them, and I know I’ve been lying to myself about something. I’m not sure what. The house is quiet. Jordan is asleep. I’m the only one awake. The house feels like it’s breathing, like it’s holding its breath. I go to the window and look out. There’s a car parked across the street. It’s not moving. The license plate is different. I don’t know why I know that. I’ve seen that car before, but I don’t remember where. I’ve seen it in my dreams, too. I think it’s the same car. I go to the kitchen and open the fridge. There’s a note from yesterday, but it’s not from Jordan. It’s from a voice I don’t recognize. It says: “You know what’s wrong. You’ve known since yesterday.” I don’t know what it means. I close the fridge and turn around. The coffee shop is gone. It’s just the wall. There’s a knock on the door. I don’t know who it is. I don’t know if I should answer. The knock comes again. And then I hear it — the voice from the note, but not the note, but the voice, from the wall. “I know what you’re thinking.” I don’t know what I’m thinking. I don’t know what I’m seeing. I don’t know if I’m dreaming. The door handle turns. I don’t know who’s there. I don’t know who’s been watching me. I don’t know what’s real. I
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